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By default, the browse object is set to Page. Clicking the Previous or Next button performs Page Up or Page Down actions. When the default object type is active, the browse buttons (Up and Down) are black. When a non-default object type is active, the browse buttons change to blue. For example, click the Select Browse Object button and choose Browse by Table. If you hear an error beep, that means that the current document does not contain any tables between the insertion point and the end of the document. Nonetheless, the browse buttons turn blue, and they now mean Previous Table and Next Table. If you ever click a browse button and don t get the expected default Page Up/Page Down behavior, take a look at the color. If the button is blue, then that s the problem. To reset the browse behavior to the default, click the Select Browse Object button and choose Page. What makes this a little tricky is that there are ways other than clicking that button to change browse behavior. For example, if you perform a search, the browse buttons now become Find Previous and Find Next. If you perform a Go To and go to the next eld, then Previous Field/ Next Field become the browse actions. Hover your mouse pointer over each of the 12 object types to explore the possibilities. If you keep these objects in mind, then this feature can become a tool, rather than just an annoyance.

A number of search options are available that pertain to images. Select Find from a context menu and the Find Element dialog box opens, as shown in Figure 15.19. A number of options appear that relate to working with accessible files. You also have options for searching annotations and OCR Suspects.

In order to overcome the above mentioned problem, an alternative approach is to employ the Kalman lter to estimate the state of the system. From output equation (11.3), it is observed that if we can accurately estimate the state vector (k) of the system, then we can separate mixed signals using the learning algorithm (11.49) and (11.50). 11.4.1 Kalman Filter

At the far left is the Views group, which allows you to switch among the following views, which you can see by clicking the button s down-arrow:

n Working for a client who uses another CAD program n Placing an image of a logo into your titleblock n Inserting a drawing into a report n Inserting a spreadsheet into your drawing n Using a satellite photo as a basis to create a map You have several ways of working with other applications: n You can import another file format so that the entire file is brought into your drawing. n You can export to another file format so that the entire drawing can be imported into another application. n You can export to an image format that others can view. n You can import a raster image (bitmap) without changing any file format. A raster image is made up of dots, called pixels, as opposed to vectors. AutoCAD and AutoCAD LT are vector programs. n You can import, or export to, a DXF file, which is a way of interchanging drawings between AutoCAD or AutoCAD LT and other CAD programs. As you can imagine, the possibilities are endless. This chapter explains how to work with other applications.

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Remember, the quarter-tone area is a quarter of the way across the grid; the three-quartertone area is three quarters of the way across.

n Never Embed. This list operates the same way as the Always Embed list. You select fonts to be eliminated from the set of monitored fonts or fonts contained in a PostScript file. One use for this list might be to eliminate Courier, Times, Helvetica, and Symbol (the Base 13 fonts). Because they

The EOS project, undertaken at the University of Essex in the UK, is a good example of a social simulation system (Doran, 1987; Doran et a/., 1992; Doran and Palmer, 1995). The aim of the EOS project was to investigate the causes of the emergence of social complexity in Upper Palaeolithic France. Between 1 5 000 and 30 000 years ago, at the height of the last ice age, there was a relatively rapid growth in the complexity of societies that existed at this time. The evidence of this social complexity came in the form of Doran and Palmer (1995) larger and more abundant archaeological sites; increased wealth, density, and stratigraphic complexity of archaeological material in sites; more abundant and sophisticated cave art (the well-known caves at Lascaux are an example);

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When creating a Web page, Webmasters do two things repeatedly: They insert an element whether text, image, or layer and then they modify it. Dreamweaver excels at such Web page creation. The Dreamweaver workspace combines a series of windows, panels, and inspectors to make the process as fluid as possible, thereby speeding up the Web designer s work.