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Next, she creates a new layer and fills the selection with black. She then drags the new layer underneath the logo layer in the Layers palette, and nudges the layer a few pixels down and to the right. Now she blurs the new layer slightly by choosing Filter Blur Gaussian Blur. After setting the layer s blending mode to Multiply and tweaking its opacity a bit, it s done a beautiful drop shadow. Time to go to lunch. Fast-forward ten years, and the same designer needs to do another drop shadow for the company logo. After opening the logo document in Photoshop CS2, she double-clicks the logo layer, checks the Drop Shadow layer effect box, tweaks the opacity, and clicks OK. Coffee time. You get the message by now Photoshop s layer effects and styles are wonderful time-saving inventions, leaving you with more time to think creatively, finish the job, and drink coffee. Here are some other great advantages of layer styles: n They re totally reeditable at any point much as type layers are, for example. If you decide that your drop shadow doesn t quite have the right oomph when you return to the document weeks later, you can change it in a flash.

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2. Make sure you re monitoring only the microphone channel. Some mixing desks have Solo buttons to accomplish this; if your mixing desk doesn t have a solo button, then make sure all the other channels are turned down. 3. First, set the input level of the microphone. Do this by adjusting the input level (or trim) knob at the top of the mixing desk channel your microphone is plugged into, as shown in Figure 6.2. Speak into your microphone, and adjust the input level. The Mackie Onyx 1220 uses a peak meter, so adjust until it is peaking at -6dB to -3dB. A few peaks over zero are okay.

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R2 is the same value as X. Thus, the outcome of a sequence of two XORs using the same value produces the original value. To see this feature of the XOR in ...

Just as you can create basic smooth solids, called primitives, you can create mesh primitives. The same shapes are available and the prompts are almost identical. To create a mesh primitive, choose Mesh Modeling tab Primitives panel Mesh Creation drop-down list and choose one of the primitives. Then follow the prompts to complete the object. For more information on these prompts, see the Drawing Basic Smooth Solids section earlier in this chapter. As mentioned in 23, by default, the REVSURF, RULESURF, EDGESURF, and TABSURF commands create meshes. These commands are also available in the Primitives panel of the Mesh Modeling tab.

N OT E If you opted to review the Upgrade information in the previous step, then this next window will be available to you when you close the Upgrade window.

Summary

In 17, I explain how to dimension a drawing on a paper space layout and also how to work with annotative dimensions that automatically scale according to the scale of the drawing. In 15, I explain how to create a dimension style, including one that is annotative.

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3. Superpositioll In using superposition, we apply one indepeodent source at a ti me. The network in which the current source acts alone is shown in Fig. 8. 18a. By combining

In the AP Elements category of Preferences, you can predetermine the structure of the default Dreamweaver AP element.

Coded AQAM (VR-TCONV-AQAM):In this sche3. Variable Rate Turbo Convolutional me, a specific coding rate chosen for each modulation mode, which discussed was was in Section 5.7.2 in the context of turbo block coded AQAM schemes. The coding rate was varied by utilizing different random puncturing patterns and the resulting code rates are listedin Table 5.14 for each corresponding modulation mode. The codes rates were chosen tobe similar to thoseused for the turbo block coded scheme for comparison purposes. Finally, the switching thresholds for the AQAM scheme are shown in of Table 5.15, which were experimentally set,in order to achieve a target BER 0.01%.

Painting tools, shown in Figure 16.1, paint by applying new color to the pixels in a specific region under the tool. This is a pretty basic concept that has been around for decades. Photoshop enhances the paint technique by allowing you to select specific brush styles, sizes, and settings that control how pixels are painted in almost unlimited ways.

figure 28.1: When the Select Data Source dialog box first opens, you will not see the option to connect to a text file.

*OOttinger,J. Non-Newtonian Fluid Mech. 120 (2004) 207.

When using session and/or message fa ade, the client is tightly coupled to the EJB layer, creating dependencies between client and server that affect development, run-time, and project management concerns. How can an intermediary between a client and the session fa ade be created to facilitate decoupling the client from the EJB layer

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